Reviews originally published in Issue 59 of Electronic Sound magazine, November 2019:
ANTONI MAIOVVI’S TIME PRECINCT
(Castles In Space)
In which everyone’s favourite fictional Italian disco producer provides a high-tempo soundtrack to… discounted British rail journeys for EU residents? The alter ego of Bristol-born, Berlin-based Anton Maiof, Maiovvi is a Dario Argento-obsessed playboy with a penchant for spooky film scores, but this is a joyously upbeat collection: the eminently danceable ‘Stable Mirror’, in particular, is a New Order-style banger that may yet have grizzled Haçienda veterans reaching for their dusty glow sticks.
Those of us marooned in the provinces during the late 1980s club explosion might find retro, beat-laden workouts like ‘Post Modern Morals’ evoking hazy memories of Sol lager and The Hit Man and Her rather than the Manchester superclubs, but – regardless of where your dancefloor mojo was honed – this is a giddy concoction, liable to make anyone whose teenage years involved the occasional smiley-faced T-shirt feel decidedly misty-eyed.
(Spun Out Of Control)
This Brighton singer-songwriter has peppered her delightfully downbeat vignettes of everyday melancholy with the occasional vintage synth, but here throws herself into full John Carpenter soundtrack mode, with an instrumental concept album whose premise – that of a worldwide sleeping sickness, and a dangerous cult seeking out the victims – sets the tone for an enjoyably dark and suitably woozy musical journey. ‘Run’ even hints at Mark Snow’s X-Files theme; perfect for a case that Mulder and Scully would surely relish.
Interview with Hattie Cooke here:
The Quietened Journey
(A Year In The Country)
Stephen Prince’s multi-media project A Year In The Country explores the links between folk, electronica and a rather otherworldly pastoralism, this new compilation tasking its contributors with creating musical explorations of abandoned roads and railway lines. The likes of Field Lines Cartographer and Grey Frequency evoke heartbreaking radiophonic dreams of overgrown sidings and crumbling platforms, and Pulselovers‘ ‘Woodford Halse To Fenny Compton in Five Minutes’ somehow contrives to make a hypnotic, Krautrock synth anthem the perfect celebration of pre-Beeching steam travel. Joyous.
Interview with Stephen Prince here:
A Clockwork Orange
The irrepressible Mulholland – whose 1999 Mount Vernon Arts Lab album The Séance at Hobs Lane helped define 21st century hauntology – is in prolific form, and his third album of 2019 soundtracks Anthony Burgess’ novel in suitably sinister style. Trademark sound manipulations expertly create ominous slabs of music concrète, the eight-minute ’84F’ perfectly evoking the draughty menace of chief Droog Alex’s teenage prison cell. A limited cassette release on this perfectly-formed micro-label, laudably dedicated to electronica with a literary inspiration.
Interviews with Drew Mulholland here:
Electronic Sound – “the house magazine for plugged in people everywhere” – is published monthly, and available here: